Nude Concept Painting, 2017

Dawood’s practice is an ever-evolving social commentary with a journalistic approach. Her transgressive sculptures are created with a playfulness aimed to engage viewers in accessible conversations about the censorship of bodies and the consent (or lack of consent) around their continual sexualisation. Through exposure to Reality TV in Dubai, she first became aware of the dichotomy of the representation of bodies. From prolific, normalising depictions of people having plastic surgery, to the censorship of nudity with black Sharpie in art books, she has become interested in the paradox between the portrayal of bodies (within capitalist societies benefitting from insecurity) and the apparent need to shame a body deemed “too” sexual.  Deliberately “visually appealing”, with a contrived use of millennial aesthetics proven to perform well within social media algorithms; the artworks are political acts of freedom and vulnerability, moving away from the “idealised form” seen in centuries of traditional sculpture. Dawood aims to encourage all participants to disrupt the current status quo and challenge the non-consensual sexualisation of nudity.